Hero shot — live, in the pit
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Music Photography Mentorship
with Niña Sandejas

Nobody hands you a map into this. Let's find yours.

Most music photography workshops or classes are one-size-fits-all — a lecture, a group, a fixed curriculum everyone gets the same version of. This isn't. It's ONE-ON-ONE mentorship built around exactly where you are, from your first pit to your hundredth plateau — built from twenty years of doing this myself.

Take the Soundcheck →
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The frame you chased all night
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From the pit
All it takes is one legendary frame.
Which One's You

Three spots on the bill. One mentorship.

The goal badges below are the common destination for each stage, not a fixed promise — and not a ceiling either. Depending on what you're actually curious about, a session can stretch into territory from a later stage; where you start isn't where you're locked into staying.

Beginner
Opening Act
Goal: Event-Ready

You love the music and the camera, but you don't know how to get into a pit, pitch a venue or band, or whether your work is even good enough to show anyone yet.

Developing
Main Support
Goal: Booking-Ready

You've got the gear, the gigs, even a small following — but your shots are starting to look like everyone else's, including your own, on repeat.

Advanced
Headliner
Goal: Reconnection

Access was never the question. The camera stopped feeling like instinct and started feeling like a performance you already know how to give, and wondered what's next?

See which one's true for you
Take the Soundcheck →
Before You Sign Up

Who this is actually for

This is for you if
  • You shoot (or want to shoot) live music specifically — not general portrait or event work
  • You want honest feedback on your actual photos, not generic tips
  • You're willing to do a real homework shoot between sessions
  • You want to build something — a portfolio, a voice, a way forward — not just attend a class
  • You want to join an actual alumni community, not disappear after your last session
  • You're a beginner wondering if this could become real, paid work someday — it's a genuine possible path, even if getting there takes building
This isn't for you if
  • You're looking for therapy or clinical mental health support
  • You're hoping the session includes meeting specific artists or bands
  • You want gear recommendations and nothing else — that's a much shorter conversation than this
Kamikazee 2018 — Canada
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Kamikazee 2018 — Canada
This is the room you're trying to get into.
Niña Sandejas — portrait
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"My name is Niña Sandejas. I've been documenting Philippine music for over twenty years — from total beginner who didn't know anyone in the scene to building an archive that's now a published book. I've been every one of these stages: locked out of the pit, copying photographers I admired, and later, stuck and unsure why the camera stopped feeling like mine, and I'm still here with continuous purpose, to tell people that their perspective matters."

Wherever you are in that arc
Take the Soundcheck →
The Offer

What we actually work on

The goals below are the common destination for each stage, not a fixed promise — and not a ceiling either. Depending on what you're actually curious about, a session can stretch into territory from a later stage; where you start isn't where you're locked into staying.

Beginner
Opening Act
Event-Ready
Focus
Camera fundamentals in live/low-light conditions, scene etiquette, building a first portfolio
Homework shoot
Acquire your own — pitching, access, and etiquette are taught as part of the curriculum
Developing
Main Support
Booking-Ready
Focus
Finding your visual voice, technique refinement, positioning to get booked or published
Homework shoot
Acquire your own — part of the skill being taught
Advanced
Headliner
Reconnection
Focus
Career sustainability, archive thinking, understanding your bigger role in your own body of work, working through plateau or burnout
Homework shoot
Acquire your own

Want to actually meet other musicians and photographers, not just learn the skills? You'll be automatically added to a tight-knit private Facebook group — a community of music photographers built since the first workshops in 2010.

What's actually in the room: never-before-seen photos and videos from twenty years of shooting, for in-person sessions a hands-on access to a small library of photobooks from international music photographers, and — more than shooting technique — real time spent on editing, culling, post-processing, and cropping. Anyone can point a camera. The work that actually separates photographers happens after the shutter clicks.
Sample 1
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Sample 2
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Sample 3
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How a session runs: we start by actually getting to know each other — what you're working on, what's really in your way. From there, we cover whatever you need, basic to advanced: technique, editing, the business side, even archive thinking if that's relevant — plus access to my own footage and photobook library. Whatever you brought in gets the real attention, not a script.
What I deliver: the clearest, most honest mentorship I can give you — real technique, real feedback, real next steps. I'm not here to just cheer you on, and I'm not here to drill you either. Most of a session, I'm listening to what you actually brought; when it's time to lead, I will — naming the pattern, asking the sharp question, pointing at the one real next step. Support doesn't mean agreement; it means I'm on your side even when the answer is no. What you build from it is yours. This isn't therapy, and if something heavier surfaces, I'll say so directly and point you somewhere better suited.
Find out which row is yours
Take the Soundcheck →
How It Works

A call, three sessions, and someone actually paying attention in between

00
Zoom Kickoff
Before we even meet properly, a short call so I know exactly what you're bringing — and can build the rest around you specifically, not a generic opener.
01
Session One
Fundamentals, the grounding block, and your first real homework based on the program that will be crafted for you.
02
Session Two
Real critique on real work. Whatever you actually brought gets the attention.
03
Session Three
Where it lands — voice, next steps, what you're actually walking away with.

Between every session, email keeps things moving — folio check-ins, questions, a few words of direction. You're never just waiting for the next slot to ask something.

Real activities, not lecture: a folio shoot you bring in for live critique, hands-on post-processing — culling, editing, cropping, walked through together (works just as well over a Zoom screen-share as it does in person).

By the end

A finished portfolio, a clearer sense of your own voice, or your first real shoot actually landed — whichever your stage calls for. For more advanced students, it's usually less about a deliverable and more about feeling like yourself behind the camera again.

In Their Words

They didn't just learn settings. They found their why.

"Beyond the technical tips, what really stood out were the little gems of wisdom that only come from decades of experience as one of the OGs in the industry."
@gelodudepare
"Not only did we learn technical stuff, but also lessons from Ma'am Niña's 21 years in the scene and the attitude part that this calling entails."
@aleckpulido
"After your workshop, I found my 'why' again. I felt nostalgic and inspired. Thank you for reminding me why I loved this in the first place."
Renz
"What stuck with me the most and truly shifted my perspective is the 'why'... I'll definitely keep my new why in mind: to tell stories, bookmark time, and spread good news through visuals."
Student, March 2025
"Documenting and archiving one of man's purest forms of expression is a noble duty. It is proof that they were here, and they truly lived."
Jake
"Niña didn't just teach us about photography, she shared her journey, her heart, her way of seeing people. There's a kind of magic in that, something you'll never find in a tutorial or book."
Enrique
From the Program

Photographers who started here.

A few names you might already know — and the year they came through the room.

Kris Rocha
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Kris Rocha
2011
Karen De La Fuente
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Karen De La Fuente
2013
DaddyRakista
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DaddyRakista
2014
Anne Apolinar
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Anne Apolinar
2019
Format

Open Clinic

Sessions run on fixed clinic days — you book in and start, no waiting for a class to fill.

Online — Zoom, all sessions
₱7,500 downpayment to book (non-refundable) → ₱7,500 before session 2
₱15,000
Book Online →
In-Person — Pasig City
₱9,000 downpayment to book (non-refundable) → ₱9,000 before session 2
₱18,000
Book In-Person →

Already took Basic or Creative with me before? Take the Soundcheck anyway — I'll follow up directly with your continuation rate.

Already bought the Greyhoundz book? Mention it when you sign up — whichever edition you got, you'll get 20% of what you paid for it credited as a discount on your mentorship fee.

Bonus For All Enrollees

In-person students get to see the Greyhoundz book up close — the first Filipino music photography book, the debut release of alt164 Press and a 20-year visual archive. Online students get a free digital preview. Every enrollee gets a 20% discount voucher on Greyhoundz or any alt164 Press product, valid for 1 year or while supplies last.

For Everyone Who Finishes

Complete all 3 sessions, and if the work you've built is genuinely good, it gets featured on the alt164 Press website and socials. You also get a 20% discount on your next follow-up session, whenever you're ready for one.

Not sure which track fits
Take the Soundcheck →
Joining From Abroad

Distance isn't the barrier it used to be

The online track was built for you — same Zoom Kickoff, same 3 sessions, same curriculum. Just pick the online rate at booking.

What works especially well remotely: editing and post-processing — screen-sharing a culling or editing session over Zoom is genuinely as good as being in the same room, sometimes better.

If you're part of the diaspora or just somewhere this scene isn't local to you — this is for you too.

Wherever you're shooting from
Take the Soundcheck →

I will be your mentor.

I'm Niña Sandejas — photographer, archivist, and founder of alt164 Press.

Niña teaching a session
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  • 20+ years documenting Philippine underground rock and hip-hop
  • Red Bull photographer — one of six photographers worldwide invited to the Red Bull Photography Academy in South Africa (2019), mentored by some of the world's top action photographers
  • Shooting since 2004 — early years touring all over the world with bands like Rivermaya, Sponge Cola, Kamikazee, and Greyhoundz; later, international acts at festivals abroad in Singapore, Malaysia, Dubai, and Hong Kong, including Radiohead, Foo Fighters, Smashing Pumpkins, and Muse
  • Taught 100+ photographers since 2010, 1,000+ total reached through public speaking events since 2014
  • Founder, alt164 Press — author of the 20-year Greyhoundz visual archive
  • An active alumni community in a private Facebook group — you don't just finish a session, you join a network of other photographers doing the same work
  • Has lived through all the lessons taught and has coached photographers on every level.
2010 — first workshop
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2010
The first workshop. A small group, the very start of this.
Now — a bigger room
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Now
Same work, a much bigger room — 100+ photographers later.
Ready to see where you land
Take the Soundcheck →
Before You Ask

FAQ

Is this therapy?

No. This is craft and career mentorship — technique, feedback, and honest next steps. If something heavier comes up, I'll say so directly and point you toward better-suited support.

I don't have my own camera or gear. Can I still join?

Yes — mention it when you sign up, and we'll figure out what to borrow or rent before your first session.

I've never shot a live show before. Is this still for me?

That's exactly who the Beginner track is built for. No prior experience required.

Are sessions in person or online?

Your choice — and the price reflects it. Every program starts with a Zoom intake call regardless of which you pick. The 3 content sessions can then be in-person in Pasig City (₱18,000) or fully online via Zoom (₱15,000).

How long does the whole program take?

Most people finish all 3 sessions within about 3 months, but there's no fixed deadline — you book each next session when you're actually ready, not on a forced schedule.

What if I need to cancel partway through?

Your downpayment to book is non-refundable (₱7,500 for online, ₱9,000 for in-person) — if you don't continue past session 1, that's what's kept and nothing further is owed. Your remaining sessions stay live and you can pick up wherever you left off, fully self-paced.

I already took Basic or Creative before — do I start over?

No. This program starts with wherever you actually are, and what you need next — we build from there, not from a script. Take the Soundcheck anyway, and we'll figure out your next steps together, including a rate that reflects what you've already invested.

Will this guarantee I get booked or published?

No mentor can honestly promise that. What I can promise is real feedback, real technique, and a clear next step. What you build from it is yours.

Where are sessions held, and what's the cancellation policy?

In-person sessions are held in Pasig City, with exact details shared once you book. Need to reschedule? Give at least 24 hours' notice and your slot moves, no problem. Genuine emergencies are the one exception — if something real comes up, email directly rather than using the booking link, and it's handled case by case.

Full-bleed stage/crowd shot
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Quit watching from the back
The pit's right there. Time to climb in.

Find your pass.

Two minutes, five questions, and you'll know exactly which track fits where you actually are so I can help you find your next step.

Take the Soundcheck →